Although I’ve seen plenty of public art pieces around New York, I’ve rarely seen such an enormous arena devoted to placing art in the environment.   The park seeks to create a dialogue between earth and art, but I wonder if Storm King actually accomplishes this. In many cases, I saw the artwork as an overly dominate force in the landscape while the natural surroundings in some parts seem primed just to fit the specific needs of the artwork. At other times, for example when I saw Sol Lewitt’s contribution to SK, I had to ask myself why such works require this setting. Perhaps the aethetics of the outdoors can be reason enough.

There are, of course, works at SK which definitely benefit when viewed in this unique park. Nam June Paik’s Waiting for U.F.O and Andy Goldsworthy’s Storm King Wall strike me as two good examples.

Here are a few photos from a trip to SK in September.

Andy Goldsworthy, Storm King Wall '97-98

Sol Lewitt, Five Modular Units, 1966